The Cinematic Notebook
The craft behind our portraiture and film development.
How This Notebook Connects to Film Photography and Film Development
Every article in this archive reflects the full analogue workflow used by Liquid Light Whisperer and Liquid Light Lab — from motivated lighting and optical rendering through to controlled development and high-dynamic-range scanning. The same discipline documented here is applied to commissioned portrait work and to every roll processed in the lab.
From A River Runs Through It to Portrait Photography: Craig Sheffer on Lighting
Craig Sheffer starred in the Academy Award winning film A River Runs Through It. We’ve worked with film photography for years, both on the road and in more structured environments. Our conversations tend to drift toward craft, and how our different approaches shape our photography. He has spent decades on sets where lighting is built with intention and repeated with precision. He also makes photographs himself, and this combination gives him perspectives pure photographers can learn from. He understands how structured light affects performance, posture and presence, and how contrast changes the way a face lives within the frame.
Cinematic Portraits on Film – Chesterton Windmill, Leamington Spa, Warwickshire, West Midlands
Chesterton Windmill is a setting that behaves almost like a stage. It stands alone above Leamington Spa, a solitary architectural structure surrounded by uninterrupted landscape, and this isolation gives it a rare cinematic profile. For portrait photographers working across Warwickshire, the West Midlands and the Cotswolds, it is one of the few local landmarks that retains a sense of timelessness — and at sunset, it becomes even more atmospheric. For this portrait session with Olga, the rhythm of the falling sun controlled everything. Forty-five minutes from start to finish meant two rolls of film, no resets, no time to revise angles, and no spare exposures. Everything had to be prepared, executed and adapted fast.
