The AGO Film Processor bridges home development and lab-level consistency. From 510 Pyro to C-41 and ECN-2, it saves chemistry, compensates for temperature drift, and delivers repeatable, professional results at home. Not perfect, but a game-changer for anyone serious about film developing.

Pyro-based developers have a rich history dating back to the very origins of photography in the 1830s. Early photographic pioneers in England—including William Henry Fox Talbot—experimented with gallic acid and its derivatives, such as pyrogallol (the chemical foundation of pyro developers).

Lomography UK recently reached out to me with an exciting proposition: test and review a prototype of their new Daylight Development Tank.

Ilford Delta 3200 has long been my film of choice for capturing intimate, atmospheric moments in low-light scenarios. There is an unmistakable magic that emerges when you push a high-ISO black-and-white emulsion like Delta 3200 to its limits.

Every great journey begins with a spark. In this case, it started as a simple phone call: Craig Sheffer—star of A River Runs Through It, directed by Robert Redford and co-starring Brad Pitt—invited me on a road trip to commemorate the film’s 30th anniversary.

Lomography’s Babylon 13 is already known as a strikingly low ISO black-and-white film, but pushing it further by rating it at ISO 6—or even ISO 3—invites a whole new level of experimentation for those of us who love the slow, methodical pace of analogue photography.

In an era dominated by instant digital results, film photography offers a tangible connection to the artistic process. Each roll is a journey—focused on mindful composition, thoughtful metering, and the craft of chemical development. The grain, the colour rendering, and even the minor imperfections all add character, reminding us that photography is more than just pressing the camera shutter button.