The Cinematic Notebook
The craft behind our portraiture and film development.
How This Notebook Connects to Film Photography and Film Development
Every article in this archive reflects the full analogue workflow used by Liquid Light Whisperer and Liquid Light Lab — from motivated lighting and optical rendering through to controlled development and high-dynamic-range scanning. The same discipline documented here is applied to commissioned portrait work and to every roll processed in the lab.
Zeiss Sonnar 50mm f/1.5 (1939) — The Lens That Drew Light Before Colour
The 50mm f/1.5 Zeiss Sonnar from 1939 is one of the great optical designs of the last century. It belongs to an age before coating, before marketing language replaced observation. It was built to interpret light, not to control it. Mine is one of the last pre-war uncoated examples, mounted on a Contax IIa body from the early 1950s — the bridge between the pre-war world and the modern one.
Carl Zeiss Jena Pancolar 50mm f/1.8 Zebra Review — A Cinematic Classic with Radioactive Glow
There are vintage lenses you respect for their engineering, and then there are lenses you fall in love with because of how they render the world. The Carl Zeiss Jena Pancolar 50mm f/1.8 Zebra, in its radioactive 8-blade form from the late 1960s, is very much the latter. This is a lens that reminds you why character still matters — whether you’re shooting on film or adapting to digital.
