The Cinematic Notebook

The craft behind our portraiture and film development.

How This Notebook Connects to Film Photography and Film Development

Every article in this archive reflects the full analogue workflow used by Liquid Light Whisperer and Liquid Light Lab — from motivated lighting and optical rendering through to controlled development and high-dynamic-range scanning. The same discipline documented here is applied to commissioned portrait work and to every roll processed in the lab.

Leica M5 — The Last True Leica
Leica Camera, Camera Review, Equipment Review Martin Brown Leica Camera, Camera Review, Equipment Review Martin Brown

Leica M5 — The Last True Leica

Built between 1971 and 1975 in Wetzlar, the Leica M5 was the last M-series camera assembled entirely by hand under Leica’s traditional adjust-and-fit standard. Each body was finished, calibrated, and tested in the same small-team workshop system that had produced the M3, M2 and M4 — a method soon replaced by team-line assembly in Midland. When this process ended, so did the era of the “true” mechanical Leica.

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Leica M3 Double Stroke Review — Precision, Permanence, Perfection.

Leica M3 Double Stroke Review — Precision, Permanence, Perfection.

The Leica M3 is the camera that changed how 35 mm rangefinders worked. It was the first Leica with a bayonet mount, the first with a single combined view and rangefinder, and the first that felt as if every control was designed around the photographer’s hand rather than the factory’s production line. Mine is a double-stroke version, serviced, used weekly, and it remains the most exact mechanical device I own. There are smoother cameras, lighter ones, quieter ones, but none that give the same sense of mechanical certainty.

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